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the everyman memoirs

The official blog of author Tali Nay.
JAN
12

All for Free at Your Library

There's something about having your book(s) in the library that makes an author feel legitimate. I confess that due to my status an unknown to the majority of the literary world, most libraries probably do not carry my books. Which makes it extra special when they do. Call numbers. Shelf space. Holds. Simply having your name in the library catalog as a searchable author is delight enough.

That said, it's a bit of an evolution of thought, the implications of having a book in the library. Because every reader who checks it out is one less reader who will buy it. For instance, if we rewind back to when I was announcing the release of this book and sending out invitations to the launch party, I was surprised by how many people responded to the news and the invitation by asking if the book was available in the library. As an author announcing that a book years in the making is finally out in the world and available, it's hard not to be a bit offended when people jump right to the "Can I read it without having to buy a copy?" stage. Because I'm going to tell you right now, if a friend or someone you know well has written a book, you should probably just buy it. I'm serious. Yet selling books in today's world remains incredibly difficult, even to the people in your own circle.

So, yes, as an author it can frustrate me, but as a reader, I understand. Almost all of the books I read are those that I've checked out from my local library, a habit I picked up as an unemployed student living in a 350-square-foot apartment in Manhattan. So I get it. I read first and buy later, and only those books that leave me feeling a particular combination of influenced and inspired. As I've always explained to people who ask about book selling, a book isn't like a piece of jewelry or art, something that you can see right away and know that you love. Buying books is such a crapshoot, so I get why readers hesitate, why they opt to rent books as opposed to buy them. Which is why I will always hope to be included in library catalogs. Because bottom line: I want my books to be read. So come and get it, San Diego!

OCT
23

Subtlety

They do though.

This was part of my display at Friday night's ArtNight Pasadena, an event I've now attended for the second straight year. Part of me wonders why I went back. Not that it isn't a GREAT event, but it's just such a big event. And all the authors get stuffed into various nooks and crannies in the castle-like (charming yet simultaneously stinky) library. Even for the few people who manage to find you in the back corner of this dimly-lit building, most of them aren't really prepared to pay for something inside a library. Not that they couldn't. But that, on principle, they believe libraries should exclusively provide free stuff.

I do kind of get it. An event inside a bookstore will sell exponentially more books.

Not that it was a total loss. I met some great authors, sold a few books, and the best moment was when a woman saw the cover of Jeweled and loudly exclaimed, "I've read that!" She proceeded to ooze to the woman who was with her about what a fascinating and well-done book it is, and you'd think this other woman would have bought a copy. Indeed, before I got into this whole book thing, I was sure all I needed was a small core group of people who read and liked my books, and that The Snowball Effect would take care of the rest. That your book sales largely stop with this core group of people who read and like your books has been one of the most surprising lessons of bookselling.

"I may be back," the woman's friend said after looking at the front and back of Jeweled, an obligatory response to her companion's glowing endorsement.

She never came back, but then again, I knew she wouldn't.

No matter.

I'll continue to do these events because, in spite of everything, I enjoy them. And because you never know who'll come by, like you, read your stuff, and start the snowball that will eventually lead to your big break. Or at least lead to someone loudly exclaiming in front of a room full of book lovers that yours is particularly fine.

OCT
17

ArtNight Pasadena

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For those waiting on the results of my candy experiment, having a big bowl of chocolate at my table did draw in a record number of visitors. Indeed many other authors at last weekend's Pasadena ArtNight commented to me on how popular my candy was. Not that it really sold me any more books. People just wanted some candy. Jerks.

It was a great event though, the ArtNight. And hats off to Pasadena for arranging such a complete and hassle-free experience. I found myself wishing I could ride the free shuttles around town to the different buildings housing various artists and musicians for the evening. What a great way for a city to see and experience a wide mix of genres and talents. And such a great reminder, for those of us at the library, of just how many people out there write books. Of course, it's also a reminder of how there really is something out there for everyone...and about a billion things not for everyone, which is why indie book selling is and always will be so challenging. There's a relatively (read: extremely) small number of people out there who are interested in reading your books. As opposed to all the other books they could be reading/buying. But I suppose that's what makes the world go round. And keeps the traffic at a book fair moving. As for that traffic, however, there might have been more of it had the library's $1 books room not been right next to the author area. Made our prices a tough sell...even with candy.

 

NOV
20

I Ain't Afraid of no Ghost

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Because it's only official when you've gotten a library card. New York Public Library, here I come.